How does nature contribute to sublimity in literature?

Penelope Lemke asked a question: How does nature contribute to sublimity in literature?
Asked By: Penelope Lemke
Date created: Thu, Mar 18, 2021 6:50 AM

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Top best answers to the question «How does nature contribute to sublimity in literature»

  • In fact, both nature and art contribute to sublimity in literature. According to Longinus, 'Art is perfect when it seems to be nature, and nature hits the mark when she contains art hidden within her'. THE SOURCES OF THE SUBLIME: According to Longinus there are five principal sources of the sublime.

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Those who are looking for an answer to the question «How does nature contribute to sublimity in literature?» often ask the following questions:

❔ What is sublimity in literature?

In simple terms, the sublime in literature is every instance where we reach a threshold of ambiguity. Whenever we (vicariously, through the protagonist) experience the fuzzy passage between reason and emotion, between fear and awe, or between puzzlement and understanding, the sublime is there.

❔ How does nature influence literature?

The natural world has always been an important subject for poets and prose writers… Rather, nature in all of the poems and essays is truthfully a living character through which human identity is constructed either through the characters' alignment with the natural world or their struggle against it.

❔ What does nature symbolize literature?

Nature can be used to symbolize the power of natural forces and forces beyond our ability to fathom. It symbolizes the feminine prowess and the chaos that is the feminine. Nature is one of the handful of universal themes, along with death, sex, God, and some others. Nature is used for many things in literature.

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awareness of nature’s blessings and sublimity, to a more ambiguous recognition of nature’s dangers, to the more recent return of seeing nature as a hieroglyphics for comprehending human life, the literary tradition serves as a compelling record for helping students become aware of nature as an equal partner in ensuring and enriching

So sublimity is a certain distinction and excellence in composition. Longinus says that, both nature and art contribute to sublimity in literature. Art is perfect when it seems to be nature, and nature hits the mark when she contains art hidden within her. He came up with five ways to achieve the sense of sublime in literature works.

So sublimity is “a certain distinc­tion and excellence in composition. ” Both nature and art, says Longinus, contribute to sublimity in literature. “Art is perfect when it seems to be nature, and nature hits the mark when she contains art hidden within her. ” (Longinus)

Kant transforms the sublime from a terrifying object of nature to something intricately connected to the rational mind, and hence to morality. The literary sublime, as well as the philosophical, aesthetic sublimes, is inherently connected to nature but, as with most literary terms, the sublime evolved alongside literature.

Judgments of beauty follow from delight in nature and from the capacity to represent nature in art. In contrast to the experience of beauty, the human responsiveness to sublime experiences, and the need to search out the sublime in both nature and culture, follows from our natural longing for the uncon-ditioned.

So sublimity is a certain distinction and excellence in composition. Longinus says that, both nature and art contribute to sublimity in literature. Art is perfect when it seems to be nature, and nature hits the mark when she contains art hidden within her.

Longinus mentions that the sublime makes us feel exalted. It gives us “joy and pride, as though we had ourselves originated the ideas which we read” (7.2). The sublime is also different from rhetoric in that it does not persuade us of a particular view, but rather lifts us up so that we feel ennobled (1.4).

So sublimity is a certain distinction and excellence in composition. Longinus says that, both nature and art contribute to sublimity in literature. Art is perfect when it seems to be nature, and nature hits the mark when she contains art hidden within her. The five principal source s of the sublime are as under :

Walpole (1717-1797)’s The Castle of Otranto, gothic is mainly defined as horror, mystery, super nature, misfortune, death or family curse. However, Horace did not mention sublimity. The connection between the gothic and the sublime begins with Morris (299-319)’s remarks that sublimity was quite normal and important part in gothic novels.

The first two sources are innate or natural, while the remaining three are the products of art. Thus art and nature both contribute to the sublime or loftiness of style. (a) Grandeur of Thought: Grandeur of thought is the first essential, for noble and lofty thoughts find their natural expression in lofty language.

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